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Post Production

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If you’re reading this, chances are you’re one of the millions of people around the world who’s spending more time than usual inside. Luckily for editors, our work is generally not dependent on a specific location. If we have a computer and our brain, then we can work. But, that isn’t to say remote work is easy. 

As an editor, Michael helped bring television into the major leagues in the early 2000s, editing throughout the entirety of Six Feet Under and working on major projects like True Blood, Dexter, Homeland, The Leftovers, and much more. Most recently, he took on Amazon’s sweeping fantasy series Carnival Row.

Editing, in many ways, works like a magic trick. You’re using spectacle and distraction to achieve your true goal—to make the audience feel something. Or, as Oscar-winning Editor Michael McCusker puts it, you’re making your audience “emotionally smart.”

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