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DirectingFilmsupply Films

The Miracle of Life: Harnessing Trauma, Puppets, and Two Bold Imaginations

Career

5 Elements of Giving Effective Feedback

Career

Show Your Work: A Strategy for Self-Promotion

Career

The Real Value of Taking on Passion Projects

AdvertisingCareer

The Future of the Commercial Industry

Career

It’s Time to Rethink Creative Rest

Filmsupply News

The Future of Stock Is Here: Experience the New Filmsupply

AdvertisingStorytelling

6 Unique Approaches to Branded Video Content

AdvertisingDirecting

Little by Little: Rayka Zehtabchi on Pushing Brands to be Bold in Their Work

AdvertisingCareer

Perspective-Shifting Projects with Pereira O’Dell’s Chief Creative Officer Rob Lambrechts

AdvertisingCareer

Avoiding Trends and Defining Freedom with T Brand Studio’s ECD Vida Cornelious

AdvertisingCareer

Creating Change through a Moldy Sandwich with DAVID Miami’s Creative Director Fernando Pellizzaro

AdvertisingCareerProduction

TCO London’s Senior Producer Josh Hillman on Producing Under Pressure

AdvertisingCareer

No Bad Briefs: VMLY&R’s CCO Noel Cottrell on His Campaign for Coca-Cola

AdvertisingCareer

GS&P’s CCO Margaret Johnson: One Project That Helped Define Her Career

CareerStorytelling

How to Make Branded Content Without Losing Your Soul With Evolve Studios

Filmsupply News

How Filmsupply Is Revolutionizing Footage Licensing

Career

Behind the Work, Episode 6: John Carrington on Creative Equity

Directing

Behind the Work, Episode 5: Director Goh Iromoto on Filming with Feeling

Post Production

Behind the Work, Episode 4: Dallas Taylor, Founder of Defacto Sound, On the Importance of Sound Design

CareerDirecting

Behind the Work, Episode 3: Director Ricky Staub on Making the Transition from Short Films to Feature Films

CinematographyDirectingVFX

The Practical Side of Commercials and Title Sequences with Christopher Webb’s FX WRX

CareerStorytelling

Behind The Work, Episode 2: Head of Creative at SoulPancake, Golriz Lucina, on Content with a Purpose

Editing

Behind The Work, Episode 1: Commercial Editor Lucas Harger on Poetry and Editing

EditingPost Production

Carefully Uncrafted: Behind the Post Process of ‘Some Good News’

EditingPost Production

Editing 165 hours down to 70 minutes for Quibi’s New Docu-Series

CareerEditingPost Production

6 Tips for Editors Working From Home

EditingStorytelling

The Women Behind the Film: 5 Editors Who Shaped Cinema

EditingStorytelling

Cinematic Footage From Around the World

EditingStorytelling

Building Pearl Jam’s Newest Music Video Entirely From Filmsupply Footage

EditingPost ProductionStorytelling

5 Tips from Acclaimed Editor Michael Ruscio, ACE

Career

5 Ways to Spark Creative Breakthrough

EditingPost ProductionStorytelling

Behind the Oscar-Winning Editing of Ford v Ferrari

CareerEditing

Footage That Sings: An Interview with The Mill’s Victor Jory

CareerEditing

A Guide to Being a Freelance Editor

EditingPost ProductionStorytelling

Breaking Down a Key Scene With Avengers: Endgame Editor Jeffrey Ford

EditingFilmsupply Edit FestFilmsupply News

Announcing Our 2019 Filmsupply Edit Fest Winners

DirectingEditingPost Production

Editing with a Director’s Perspective

EditingPost Production

Joker: Behind The Scenes With Editor Jeff Groth

EditingPost Production

8 Editing Tips from SNL’s Adam Epstein

EditingFilmsupply Edit FestFilmsupply News

Filmsupply Edit Fest is here! Win $80k in cash and prizes

Editing

4 Reasons Why You Should Cut an Editor’s Reel

EditingStorytelling

How to Draw out Authenticity in a Documentary Edit

Editing

5 Editing Lessons from Walter Murch

Directing

The Gold Inside: Experimenting With a Process Over a Consciously Driven Outcome

CinematographyDirecting

Thunder Road: Turning a Sundance Winning Short Film into a 90-Minute Feature

DirectingFilmsupply Films

Designing a Film: The Artful Intentionality Behind ‘Stories We Tell Ourselves’

CinematographyDirectingEditingVFX

In Defense of Genre with Film Riot’s Ryan Connolly

Film + Music Conference

Why Film + Music Conference is Worth Your Time (and Money)

Directing

Our Filmmakers Take Home Four YDA Trophies at Cannes Lions!

DirectingFilmsupply Films

“There Was No Stopping”: ‘Undercurrent’ Director Patrick Fileti on Natural Storytelling

Storytelling

Life or Death: How a Community of Filmmakers is Working to Cure a Terminal Disease

Directing

Left of Real Life: How Two Directors Approached a Resonating, Oddball Comedy

Post Production

Extremely Quiet, Incredibly Frightening: Why ‘A Quiet Place’ is “a Sound Designer’s Dream”

Filmsupply Films

Lean, Mean: Behind the Efficient, Tension-Filled Storytelling of ‘Ostrich’

Production

The Insane, 100-Day Production Behind ESPN’s ‘Draft Academy’

DirectingEditing

High Stakes Storytelling: Director/Editor David Darg on ‘Fear Us Women’

Editing

How ‘Lady Bird’ Found Its Emotion in the Edit

Writing

4 Tips for Getting the Film Rights to That Perfect Story

Directing

If These Walls Could Talk: A Moving Portrayal of a Family in Fracture

Directing

The Story’s The Solution: Taking Branded Content Further

CinematographyDirecting

Telling the Same Story: Strategies for a Healthy Director/DP Relationship

Post Production

Framework: A Veteran Colorist Breaks Down Her Favorite Images

DirectingProduction

The Making of ‘Others Will Follow’

AdvertisingDirectingEditing

5 Ads That Speak to Product Without Showcasing It

VFX

Confessions of a Flame Artist: Urs Furrer on Creating Imperfection

Filmsupply Films

Filmsupply Films: Rescate

Filmsupply ChallengeFilmsupply News

Meet the 2017 Filmsupply Challenge Winners

Film + Music Conference

(Almost) Everything You Missed at Film + Music Conference

DirectingEditing

‘Kingsman: The Golden Circle’ Editor Eddie Hamilton on Psychology, Sequels, and Storytelling

AdvertisingStorytellingVFX

5 Ads That Use Visual Effects to Tell Unforgettable Stories

EditingFilmsupply ChallengeFilmsupply News

4 Reasons to Compete in the 2017 Filmsupply Challenge

CinematographyDirecting

Beauty Fatigue: An Interview with Director Salomon Ligthelm

Filmsupply Films

Filmsupply Films: ‘Sleep Well, My Baby’

Directing

The Making of Radiohead’s ‘Man of War’ Music Video

Editing

Principles of Editing: Notes from NYU Editing Professor Jennifer Ruff

AdvertisingDirectingVFX

The Practical Effects Behind Virgin Fibre’s Unreal “Delivering Awesome” Commercial

Filmsupply Films

Filmsupply Films: ‘Make Them Believe’

Storytelling

Jared Hogan’s Juxtaposition of Images: An Alternate Approach to Storytelling

AdvertisingCinematography

4 Socially Conscious Ads You’ll Never Forget

Filmsupply Films

Filmsupply Films: ‘Fukuro’ by Mindcastle

Cinematography

How Bennett Johnson Made a Documentary Music Video in the Middle of a Protest

CinematographyFilmsupply Films

Neighborhood Film Co. is Changing the World Three Lives at a Time

Cinematography

A Congratulations to the Filmsupply Winners at Cannes Lions

Editing

Cutting Under Pressure: Carlos Flores on Short Deadlines

Editing

Trust the Process: An Interview with ‘Master of None’ Editor Jennifer Lilly

Editing

The Editing Techniques Behind ‘Captain Fantastic’

Cinematography

Go Behind an Epic 40-Day Shoot for Nat Geo’s Origins Series

Cinematography

Framework: A Visual Breakdown with Autumn Durald

Cinematography

How to Shoot a Car Chase: Advice from Shane Hurlbut, ASC

CinematographyStorytelling

Brooklyn Aerials Is Pushing the Boundaries of Drone Storytelling

Cinematography

Framework: A Visual Breakdown with Paul Özgür

Editing

The ‘Narcos’ Title Sequence, Beat by Beat

Filmsupply FilmsFilmsupply News

Introducing Filmsupply Films

DirectingFilmsupply FilmsVFX

Directing for Special Effects on “The Cage”

Editing

Swiss Army Man’s Matthew Hannam on Editing for Your Audience

Editing

Why Editors Should Listen to Their Work

Editing

How SNL’s Adam Epstein Edits Under Pressure

Cinematography

Diego Contreras on How to Create Treatments That Sell

Editing

Last Things First: The Editing of Alfa Romeo’s “Whoa There” Ad

Cinematography

The Best of 2016 Part 2

Cinematography

The Best of 2016 Part 1

Editing

How Lucas Harger’s Editing Created a Storm

Cinematography

How DP Kate Arizmendi Lit an Impossible Room

Cinematography

Framework: A Visual Breakdown with Chayse Irvin

CinematographyDirectingProductionWriting

Inside ‘Before Mars’: Nat Geo and Variable’s Groundbreaking Collaboration

CinematographyProduction

How to Scout: Advice from Cinematographer Todd Martin

CinematographyPost Production

Operation Avalanche: How to Fake a Fake Moon Landing

CinematographyPost ProductionVFX

Carved in Ones and Zeros: Inside Dan DiFelice’s VFX Sculpting

CinematographyProduction

Test Driving RED’s 8K Beast of a Camera

CinematographyProduction

A Deep Dive into the Underwater Cinematography of Evolve

Filmsupply ChallengeFilmsupply News

The Filmsupply Challenge Winners Have Been Selected!

CinematographyProduction

The Making of History Channel’s Vikings Title Sequence

EditingPost Production

How Gutsy Sound Design Gives Buick’s ‘Progress’ Emotional Punch

Post ProductionProductionVFX

How Convolv Launched a Rocket for Chump Change

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