Editing Award-Winning Commercial Editor Ellie Johnson on Using Sleight of Hand and Loving the Process
Editing 5 Takeaways for Editors from Richard Pearson of Wonder Woman 1984, Quantum of Solace, and The Bourne Supremacy
Advertising Winning Christmas: Creative Director Danny Hunt on Developing Argos’ “Book of Dreams” Campaign
Filmsupply News Go Further Behind the Work with Season 2: In-depth Studies on the Art of Filmmaking for Brands
AdvertisingFilmsupply News Case Study: How Stink Studios Built a Grammarly Campaign Entirely Out of Filmsupply Footage
AdvertisingCareer Perspective-Shifting Projects with Pereira O’Dell’s Chief Creative Officer Rob Lambrechts
AdvertisingCareer Creating Change through a Moldy Sandwich with DAVID Miami’s Creative Director Fernando Pellizzaro
Post Production Behind the Work, Episode 4: Dallas Taylor, Founder of Defacto Sound, On the Importance of Sound Design
CareerDirecting Behind the Work, Episode 3: Director Ricky Staub on Making the Transition from Short Films to Feature Films
CinematographyDirectingVFX The Practical Side of Commercials and Title Sequences with Christopher Webb’s FX WRX
CareerStorytelling Behind The Work, Episode 2: Head of Creative at SoulPancake, Golriz Lucina, on Content with a Purpose
EditingPost ProductionStorytelling Breaking Down a Key Scene With Avengers: Endgame Editor Jeffrey Ford
DirectingFilmsupply Films Designing a Film: The Artful Intentionality Behind ‘Stories We Tell Ourselves’
DirectingFilmsupply Films “There Was No Stopping”: ‘Undercurrent’ Director Patrick Fileti on Natural Storytelling
Post Production Extremely Quiet, Incredibly Frightening: Why ‘A Quiet Place’ is “a Sound Designer’s Dream”
DirectingEditing ‘Kingsman: The Golden Circle’ Editor Eddie Hamilton on Psychology, Sequels, and Storytelling
AdvertisingDirectingVFX The Practical Effects Behind Virgin Fibre’s Unreal “Delivering Awesome” Commercial
CinematographyDirectingProductionWriting Inside ‘Before Mars’: Nat Geo and Variable’s Groundbreaking Collaboration
