Help & Support
Jun 20, 2017
Trust the Process: An Interview with ‘Master of None’ Editor Jennifer Lilly
Jennifer Lilly’s career path has been what you might call “traditional.” After starting as a PA on the big box office Hollywood film 'The Siege', Jennifer apprenticed in Woody Allen’s cutting room on 'Sweet and Lowdown' before she landed a small edit...
Jun 13, 2017
The Editing Techniques Behind 'Captain Fantastic'
When we called editor Joseph Krings, there was a familiar voice in the background. “That was Kevin Spacey,” Joseph said, moving into another room while his co-editors continued refining a scene from their upcoming film *Rebel in the Rye*, about the i...
May 17, 2017
Go Behind an Epic 40-Day Shoot for Nat Geo's Origins Series
Evolve doesn’t wait around for dream projects to come along. They take whatever project they’re working on and make it into a dream project. Case in point: their latest endeavor, a 16-film series for Nat Geo’s new show Origins: The Journey of Humanki...
Apr 25, 2017
Framework: A Visual Breakdown with Autumn Durald
“Not to sound cocky or anything, but I actually think it’s kind of easy to make something look good,” Autumn Durald told us. She’s the acclaimed cinematographer behind feature films like 'Palo Alto' and 'One and Two', as well as music videos for band...
Apr 18, 2017
How to Shoot a Car Chase: Advice from Shane Hurlbut, ASC
Since *Steve McQueen*’s iconic 10-minute car chase scene in the 1968 film *Bullitt* (widely considered to be the first proper car chase in movie history), things have gotten really out of hand — in the best possible way...
Apr 12, 2017
Brooklyn Aerials Is Pushing the Boundaries of Drone Storytelling
It’s surprising, with all the new things that have been done in film, that there are still new things to do. Technology has made the previously impossible commonplace, but it’s also opening up a whole new world of previously unthinkable feats...
Mar 28, 2017
Framework: A Visual Breakdown with Paul Özgür
There are no rules in cinematography except the ones you set for yourself, and even those are made to be broken. At least that’s the way Paul Özgür operates...
Mar 07, 2017
The ‘Narcos’ Title Sequence, Beat by Beat
Like all effective title sequences, the title sequence for *Narcos* contains the essence of the entire show. Themes of greed, excess, absurdity — even the narrative arc — can all be found here, if you look closely enough...
Feb 22, 2017
Directing for Visual Effects on "The Cage"
At the center of Neighborhood Film Company’s The Cage — the first in our Filmsupply Presents series — there is a recurring metaphor of a young man trying to break free of the seemingly malevolent vines that threaten to smother him...
Feb 22, 2017
Introducing Filmsupply Presents
The projects that move us the most — the projects we consistently find the most interesting, the most exciting, the most devastating, the most shareworthy — are also the most in danger of going unrecognized: *passion projects.* And that’s why we’re s...
Revolutionizing Stock Footage